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What is more important is that Martel has taken us effortlessly into the head of the main character as persuasively as any film in recent memory and has turned one woman's failings into a clear and simple statement of her own vision. Characters come and go, seemingly unrelated incidents pile up, and we hardly know who is who, but little of that ultimately matters. Shown at the Vancouver Film Festival, The Headless Woman, like Martel's earlier works, defies conventional cinematic language and can be challenging to appreciate on first viewing. If you really want to see it (as I did), wait till it crashes video clubs.Argentine politics from the 1970s and class differences of today play an important role in Lucrecia Martel's third film, The Headless Woman, the story of a middle-aged woman refusing to confront the truth about a hit and run accident.

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The plot (apparently) was interesting, and (again I repeat) she knows how to shoot and camera movements are beautiful, but come on!! Tell me this story in 40 minutes not in 80!! And all that lesbian stuff. Bored me to the core, HATE WHEN PEOPLE DO FILMS FOR THEMSELVES BUT NOT SO INTERESTING FILMS FOR OTHER PEOPLE TO SEE. Well, there is a moment when enough is definitely, enough. And all that technical things, like using that kind of lenses and that focus, (that's the only way to show what the character is feeling/thinking? Don't think so!) and cutting the character's head all the time. Well, in this one, apparently nothing happens, and actually.

the slow pace made me wanna leave the theater since the first 30 minutes, (and actually some people at the theater left) I know Martel normally uses this kind of rhythm in her movies, but in a completely different and interesting way!! (as in La CiГ©naga & La NiГ±a Santa) and usually (apparently) nothing happens, BUT everything is happening, right there in front of you. The story & the way it is shot, yes, is beautiful and completely interesting, and some people will say that the slow pace is necessary. this 80 (sufferable) minutes wasn't on my expectations. First, I was expecting lots from this movie, now that I'm more used to Argentinian's films. This makes the audience wonder if all this really happened or if Vero, for the lack of a better word, is crazy and everything happened in your head.

#La mujer sin cabeza torrent movie#

This solidifies towards the end of the movie when she is going to retrace her steps to remember her memory, but in the hospital and the Hotel she stayed in, there was no record proving that she was there. She acts clumsy and out of place, barely saying anything, and when she does, it doesn't always make sense or has a lot of substance.

Although Vero seems indifferent about the situation, it is clear that it has a toll on it as she acts different from the Vero that we saw briefly at the beginning of the film. By the time she does this, her car hits something but the camera stays in it as we see her car shaking and rattles. Here comes the incident that changes everything, as Vero is driving, she is distracted by her cell phone and looks down to get to it. This film is centered around Vero, an Argentinean bourgeois woman, and how her life slowly twists out of control after she hits something, or someone, with her car.